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Carpaccio's version in the Accademia in Venice misses out many of these ingredients. The Christ Child is being presented to the Priest, and it's not clear if one of the men on the right is Simeon. There is no sign of Anna. Never mind - it is a beautiful picture, especially those musical angels. | |
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So are there any versions that show the Purification as it should have been, according to Leviticus? Let's look at the beautiful illumination by the Limbourg Brothers, from the Très Riches Heures du Duc de Berry. (Musée Condé, Chantilly.) here's the virgin, alone, on the steps of the Temple, carrying her own doves. The Christ Child is in the safe hands of a midwife. No presentation for him at this point. The priest is heading out of the Temple to attend to the purification. Those Limbourg Brothers certainly knew their Leviticus. |
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